You're to be congratulated on moving forwards on this so positively. I reckon you're 'good to go' in terms of having essentialised Miyake; that said, I think there's much to figure out in terms of the finessing of your assets in terms of their materiality; i.e. actual thickness of components, types of fabric, the actual modelling of pleats and seams etc. I'd suggest that you look again at your production art process and orthographs and clarify some of the 'nuts and bolts' - this might mean having to look now at additional real-world reference re. fixing mechanisms/tensioning mechanisms - just some of the little details that will help your buildings feel credible.
OGR 20/11/2014
ReplyDeleteHi Emma,
You're to be congratulated on moving forwards on this so positively. I reckon you're 'good to go' in terms of having essentialised Miyake; that said, I think there's much to figure out in terms of the finessing of your assets in terms of their materiality; i.e. actual thickness of components, types of fabric, the actual modelling of pleats and seams etc. I'd suggest that you look again at your production art process and orthographs and clarify some of the 'nuts and bolts' - this might mean having to look now at additional real-world reference re. fixing mechanisms/tensioning mechanisms - just some of the little details that will help your buildings feel credible.